
Marimolin
Nancy Zeltsman, marimba and Sharan Leventhal, violin
Nancy and Sharan were introduced by composer Robert Aldridge in the fall of 1985. They performed their debut recital on WGBH-Radio and on a self-produced concert in Boston in the spring of 1986. Marimolin was extremely active for a decade, self-producing three to four concerts per year in Boston, and premiering dozens of new works. They also performed on numerous concert series across the U.S. and in Puerto Rico, England, the Netherlands, Germany, Austria, and Sweden including the Tanglewood Festival of Contemporary Music (Lenox, MA), the Ravinia Festival (Highland Park, IL), and the Huddersfield Festival of Contemporary Music (England). Besides subsequent appearances on WGBH-Radio in Boston, they were heard and interviewed on WQXR and WNYC-Radio in New York City, B.B.C. Radio in London, and Swedish and Austrian radio. Marimolin raised over $68,000 to commission new works through many grants, and sponsored a composition contest for eight years that collectively attracted nearly 200 entries from around the world. The duo recorded three albums. Their debut CD, Marimolin (GM Recordings), produced by Gunther Schuller, received wide acclaim including being named “Classical CD of the Month” in CD Review magazine, and bestowed a perfect “10/10” rating (for performance / sound quality - March 1990). The duo’s third CD, Combo Platter (Catalyst/BMG) was named “Disc of the Month” in the June 1995 issue of CD Review. Since 2015, Marimolin has performed occasionally — including "Marimolin Celebrates 40 Years" at Boston Conservatory at Berklee on January 29, 2026. The concert marked exactly 40 years since their first performance on a Composers in Red Sneaker's concert at Sanders Theater (Cambridge, MA). With three works performed on the 40th anniversary concert, Zeltsman and Leventhal premiered 85 pieces composed for Marimolin. See list of some recommended, published works below. | Photo: Claudia Hansen | Background photo & below: Susan Wilson
“You'd think a violin and marimba duo would be sort of a one-shot deal, but this Boston-based unit has created a repertoire and invented a genre.”
— Kyle Gann, The Village Voice (1987)
“If you haven’t heard that Marimolin recording ["Phantasmata"], you've missed something, because ... their performances are as near perfect as anything you can get. And I get to say that very rarely.”
— Gunther Schuller (2009)
Selected works for Marimolin
- Combo Platter by Robert Aldridge (with alto sax)
- threedance by Robert Aldridge (with tabla)
- Phantasmata by Gunther Schuller
- Hop by Paul Lansky
- Tumblers by Alejandro Viñao (with fixed media)
- Duo for Violin and Marimba by Daniel Levitan
- Somewhere in Maine by Lyle Mays (with fixed media)
- Legal Highs by David P. Jones
- La Resistencia by Leo Blanco
- Marimolin by Thomas Oboe Lee
- Marimolin Inventions by Simon Bainbridge
- The Legend of Chang-é by Joan Huang
- Estudio VI “Secuencias” by Enrique Igoa
- Inside Outside by David Friedman (with double bass)
- The Great Spangled Fritillary by Andrew Thomas
- Mandarin Whispers by Alice Gomez